I like this post . . . I have you on video from my Swamp dealie and as you say it is VERY difficult to see the difference. I actually think that you can pick it up better in "full speed" view rather than Freeze Frame (was that the J Giles Band?). The Swing looks a little more "swingy" and the Hit looks a little more "punchy."
Why do you "dis" the Angle of Approach? Super Ted is a-foaming at-the-mouth-Angle-of-Approach-rip-you-a-new-one-Hitter right? Mr. K LOVED the Angle of Approach procedure right?
Is your Hitting Trace different than your Swinging Trace?
Even to the trained eye, it is definitely easier to visually pick up the nuances 'in motion' versus 'freeze frame.' And for whatever the reason, it is also easier to detect the nuances 'in person' rather than on video. At least it is for me.
For the record, my dear friend and yesterday's birf'day boy, Bucket, I never "dissed" the Angle of Approach" procedure. I just choose not to use it. As you can see in the Hitter's Drive Loading Stroke Pattern (12-1-0), the listed Variation is the Square Plane Line (10-5-A). This is the Geometric basis of the Angle of Approach Visual Equivalent and, as such, is always the player's option.
If I had more time to devote to it, that could change. But for now, the steepness of the Backstroke feels artificial to me, and I could not trust it without a lot more work.
That said, Homer felt it was the most sophisticated application of the Hitting procedure. But he also said it wasn't worth the trouble for most players.
Ted goes back and forth between the two. Right now, I think he's 'forth,' but you will need to ask him!
I just choose not to use it. As you can see in the Hitter's Drive Loading Stroke Pattern (12-1-0), the listed Variation is the Square Plane Line (10-5-A). This is the Geometric basis of the Angle of Approach Visual Equivalent and, as such, is always the player's option.
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