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Almost
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G2M |
OK, I'll bite
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G2M |
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Have I got it? Also, Matthew - some very interesting stuff- but I've got to understand it before I give it the rave reviews that it might deserve. I'll get there just need some time. Thanks, Mike P.S. I didn't pay attention to your second drawing- which clearly shows how the context in which you are referring to a larger angle when the right hand is closer to the right shoulder. You are taking the angle from the right shoulder as I was looking at it from the right elbow. Maybe your description of the "greater angle between the upper arm and forearm" could be improved. |
Larger Angle
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G2M |
Actually, I did make a mistake on the angle increasing. Mike O your quite correct - I did mean that it gets smaller on the V made by the upper arm and the lower arm...
Anyways...lol Now since the right forearm is directly onplane at impact we can now know why you can't zero shift the turned shoulder plane and have the right shoulder onplane at impact and the right forearm also on that same plane. The only way that this can happen is a)the right arm is fully straightened or b)the plane of the elbow bend is the same as the inclined plane (push basic stroke) - not really good options... So lets look at how you can get the right forearm directly on the inclined plane at impact. The straight line of the triangle that goes between the right shoulder to the hands always stays on the inclined plane and the angle that the right elbow plane goes through the inclined plane being a factor on the right forearm position (vertical furthest away). As an approximation the length of the right forearm and the right upper arm is about the same - so relative to the plane of the right elbow bend plane - the angle on the right upper arm to the forearm will be double the degrees that of the angle of the shoulder to hands to the elbow. The only precise way would be to measure accurately and use simple trignometry. |
Sweet Spot Plane
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G2M |
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That Fits
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G2M |
Now for looking at more things.
The right forearm whilst always in the plane of the elbow bend, it can still rotate - hence it can turn and roll also. The right hand has about 180 degrees range of movement - approx 90 degrees either side of the elbow bend plane. If the elbow bend plane is on the inclined plane, for the hand to be vertical to the inclined plane it must have 'turned' 90 degrees also. If the elbow bend plane is vertical to the inclined plane, for the hand to be vertical to the inclined plane it must be in a neutral 0 degrees to either side - hence inline with the elbow bend plane. This these two alignments degrees match precisely. Now unless the wrist is flat - when the forearm turns and rolls - with a fixed degree of bend (an alignment im still trying to form an opinion on either way), moves the club around in a sphere in a cone-line manner. This is dependant on the right forearm angle of approach into the ball. If the fixed degree of bend is true then the rotational movement of the right arm has to conform to this conical shape turning and rolling on the inclined plane.... |
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It's going to get more tricky here with paddlewheel action, the straightening of the right elbow and it's effect on the #3 accumulator. Hinge action will dictate right forearm roll characteristics. Bagger |
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Calling Larry
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And don't forget, right elbow position at the release point. Someone once told me, if Homer could write another version it's primary focus would be based on right elbow position at the release point...shhhhhh.....it's a secret. You might need a whole new forum for this subject. I'm not sure if our dinky SQL database can handle it. I might have to call Larry Ellison at Oracle and upgrade just for you. But then again, you might knock this one out in just a few posts! Bagger |
The Sauce
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Someboday Help may
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"Never drink and post". Unless you are watching me, how would you know?. Uh Oh! :shock: Bagger |
Killing me softly- I mean slowly!
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I could be wrong but I'm hoping you guys can work on being a little better and careful about defining your terms and ideas. One way to do that is to write in addition to the answer those answers or ideas that are wrong- the one's that are easy to mis-interpret and then clarify and compare those with the correct answer. Also, definitions are especially helpful. OK I'll get off my soap box now- just ignore me when relevant.:eyes: Don't get me wrong- appreciate the help already- I'm just saying you guys are capable of better- and I'm pushing you to do it. Golf2much- I don't think/agree that at the top the #3 accumulator and the sweetspot plane are on the same plane. Sure could be but that would be the isolated exception and not the norm. I'll start on this particular topic and let you add to or finish it. Differences at impact fix between the #3 accumulator plane and the Sweetspot plane. First - I'd like you to clarify what you mean by the sweetspot plane in this post, because you could be referring to the sweetspot plane as that inclined plane that the sweetspot travels through as the clubhead travels during the stroke. Or you could be referring to a different sweetspot plane- the one that is slightly different than the #3 accumulator- I'll call it the #3 accumulator sweetspot plane as opposed to the #3 accumulator shaft plane. Let's look at that one for a moment. AThe #3 accumulator shaft plane at impact fix with a sandwedge would form a plane that includes these three points- the left shoulder, the #3 pressure point/grip end of the shaft, and the end of the clubshaft near the clubhead/hosel. For clarification sake - if you isolated that #3 accumulator shaft plane - then the three sides of that plane would be 1) the left arm 2) the clubshaft, 3) from the clubshaft near the hosel to the left shoulder. All of those would line up or be on the plane of the #3 accumulator. The #3 accumulator sweetspot plane at impact fix with the sandwedge would have a couple of differences due to the fact that the sweetspot is 1) further back from the leading edge than the shaft i.e. roughly or crudely half way between the leading edge and rear or top of the clubface - also 2) further away from the hosel i.e. roughly or crudely half way between the hosel and the toe of the clubface. So that creates two separate differences of the #3 accumulator shaft plane and the "#3 accumulator sweetspot plane". They are as follows: #1) Looking down target- that is from behind the player with the ball between you and the target- the angle of the sweetspot plane at impact fix will be less steep than the shaft angle. Because both use the same point- i.e. #3 pressure point, or end of the grip as one end of that side of the plane but one uses the sweet spot and the other uses the shaft plane as the other point that makes up the "side of the plane". #2) Same thing- from a different perspective- when looking down from above- as if you are hovering over the player in a helicopter- at impact fix with the sandwedge- the #3 accumulator formed on one side by the line between the sweetspot and the #3 pressure point or end of the grip will be leaning more towards the target than the #3 accumulator shaft plane- because the sweetspot is further back of the hosel/end of the shaft. So if that line from the sweet spot and the #3 pressure point or end of the grip were extending up to the left shoulder it would not go through the left shoulder like the #3 shaft accumulator does- the #3 sweetspot accumulator would actually point slightly ahead of the left shoulder. Bringing a little more precision to that relationship to clarify the concept- let's say that the distance from the sweetspot on the clubface to the #3 pressure point is the same distance from the #3 pressure point to the left shoulder- let's just say they were both 3 feet. Now let's say that the sweepspot is 3/4 of an inch back of the shaft- then assuming the shaft was point right at the left shoulder socket at impact fix- as viewed vertically from the helicopter- then the #3 sweetspot accumulator would point 3/4 of an inch ahead of that shoulder socket. I'll stop rambling for now- I guess I was trying to clarify the concepts of sweetspot plane that you were referring to and the #3 accumulator plane that you were referring to. I didn't address why they are different and not the same at the top yet, but let me know which sweetspot plane you were talking about and any other feedback on this limited and maybe somewhat off topic issue. Thanks, Mike o |
Wow!!
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Great post, sorry for the less than clear explanations. G2M |
followup
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Here is section of the post above with your my post in red and your comment(s) in blue: AThe #3 accumulator shaft plane at impact fix with a sandwedge would form a plane that includes these three points- the left shoulder, the #3 pressure point/grip end of the shaft, and the end of the clubshaft near the clubhead/hosel. For clarification sake - if you isolated that #3 accumulator shaft plane - then the three sides of that plane would be 1) the left arm 2) the clubshaft, 3) from the clubshaft near the hosel to the left shoulder. All of those would line up or be on the plane of the #3 accumulator.[color="red"]Remember, we were talking about the Right Arn In the Golfing Machine when referring to the #3 accumulator 6-B-3-0 we are referring to the angle established between the clubshaft and the left forearm. So I didn't follow your comment that "we were talking about the Right Arm". |
Confusion
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More Info
Mike;
From Mathew's earlier post "the right forearm is on the inclined plane - which includes the sweetspot at impact for, lets just say a very short time, as the right forearm has a 'cross-line motion' as it straightens. This is due to the right shoulder being above the inclined plane used for release." This "crossline motion" Mathew speaks of is what I am trying to describe with the discussion you and I are debating. I will try to post some pictures if I can get stills to work from my V1 program G2M |
RFA or #3 accumulator
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You've lost me again. For clarification- When I don't follow something I try to isolate something specific so that I know at least something that is on solid ground- so the area of discussion of any of my posts on this thread - in principle - would ignore the larger context of Matthew's graphic/theory and just isolate one concept that I'm trying to understand. Sounds like some interesting stuff- but I'm a little burnt- here's a section of my post#34 in this thread Tell me we're not going to have a "engineer guided thread" - you know the kind that take 200 posts to get to the point! (West Coast LOL)- Hey, it's probably just me but I could see it coming. I'll just finish off by saying "Looks like some great stuff. Graphics are great compared to anything I could do, but could be better with some shading etc. to show the plane relationships. It'd be nice if you could explain it so I could understand it- but maybe that's an issue with the reader (me) and not the writer. I'll check in every once in awhile on the thread and get caught up to date with any of your new discussions." |
Sorry Again Mike
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G2M |
Secret Stuff
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That's the solution! The cone of silence. We need to raise the cone of silence, then we can hear each other! :laughing9 Bagger |
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G2M |
Humor
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We need to look at the relationship of the right forearm and the motion it makes in relation to the inclined plane in the right elbow bend plane which dictate the wrist conditions.
Heres a graphic. ![]() Now lets define this - regardless of anatomical restrictions - If the plane of the elbow bend is onplane (pics - row 2) a)bend and arch wrist motion is onplane with a level wrist throughout when the hand is vertical to the inclined plane (90 degrees turned from elbow bend plane) b) cock and uncock motion is onplane with a flat wrist when the palm faces the inclined plane (0 degrees from elbow bend plane). - If the plane of the elbow bend is directly vertical to the inclined plane (pics - row 1) a) if the hand is vertical to the inclined plane(0 degrees from elbow bend plane), the onplane motion is that of bending and arching, the right forearm motion becomes uncocking (r forearm below plane) and cocking (r forearm above plane) b) Also if the palm is directly facing the topside of the inclined plane (90 degrees rolled from elbow bend plane) then the cocking and uncocking motions are onplane as the wrist would arch (r forearm below plane) and bend (r forearm above plane) c) If the palm is facing the underside (90 degrees turned from elbow bend plane) then the bend and arch are reversed from b) but still with the cocking and uncocking motions onplane. - If the plane of the elbow bend is 45 degrees into the inclined plane (pics - row 3) a) If the wrist is vertical to the inclined plane (45 degrees turned from elbow bend plane), the onplane motion is that of bending and arching and the right forearm motion becomes uncocking (r forearm below plane) and cocking (r forearm above plane). However the right forearm motion will also change the relationship to the onplane motion in the degree of bend or arch. b) If the palm is on the topside of the inclined plane (45 degrees rolled from elbow bend plane) then the onplane motion is that of cocking and uncocking and the right forearm motion becomes arching (r.forearm below plane) and bending (r.forearm above plane). Again the right forearm motion will also change the relationship to the onplane motion - cock and uncock. - If the plane of the elbow bend is 45 degrees into the inclined plane (pics - row 4) a) If the wrist is vertical to the inclined plane (45 degrees rolled from elbow bend plane), the onplane motion is that of bending and arching and the right forearm motion becomes uncocking (r forearm below plane) and cocking (r forearm above plane). However the right forearm motion will also change the relationship to the onplane motion in the degree of bend or arch. b) If the palm is on the underside of the inclined plane (45 degrees turned from elbow bend plane) then the onplane motion is that of cocking and uncocking and the right forearm motion becomes bending (r.forearm below plane) and arching (r.forearm above plane). Again the right forearm motion will also change the relationship to the onplane motion - cock and uncock. This has been a wee bit tricky to type out so if made any errors please correct :) |
Cone of Silence
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G2M |
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Cool Mathew, thanks for putting that together and for all the outstanding graphics you've been posting. Cheers - :occasion: - EdZ |
I just stopped because there didn't seem to be too much interest anymore in the thread. I'll do another post soon :)
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No lack of interest here
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Thanks for all you help, the 3D graphics are very helpful in helping me cement my understanding of the various motions and interactions. G2M |
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