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Isn't the idea to translate mechanics into "feel" and then "make the motion"?
Bucket ("I love you, man"), I don't disagree with anything you've said (you're a genius), but isn't the ultimate goal to be able to simply "Turn it loose". You know,uuuummmmmmmmmmmmmm (Chant)....become "One with the Universe", or as Chevy Chase would say, "Become the Ball". |
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I live out here where we like John Wayne, Johnny Cash and John Deere!
P.S. I see the 12 piece (wishful thinking dude!) - has threadjacked another thread - against forum rules.:confused1 - some things just never change. |
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I firmly believe that good mechanics HAVE to precede feeling, else compensations creep in and become ingrained. And bad habits are hard to break, since the right mechanics don't feel right!
I've been doing a lot of the chipping -- 2 ft back, 2 ft through. When I try to put some umph in, I can nearly break my left wrist with the right wrist "flip" that ends up happening! This winter, I'm setting up a station in the basement for chipping up through acquired motion. Will also spend quality time with the impact bag I made. Someone mentioned practicing with a dowel(s)? What's that one? |
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It can be like trying to hold water in your hands. I know of a few instructors , writers etc who discuss this thing......the " zone" or whatever you want to call it. Bob Rotella, Sean Foley etc. One of my absolute fave's alludes to it in his mission statement in fact. With a mention of how to get there even, contained within a few sentences; " I Teach....... MOTION 1. Learned Mechanically 2. Aligned Geometrically 3. Performed Subconsciously " His name? Why Lynn Blake of course. P.S. Like basketball , golf can be, at its simplest, just you, (your brain) and your pressure points. Point, shoot. Like throwing bean bags or something. TGM reduces down to this simplicity, but it takes a serious amount of work to get there. You were there in basketball, few are regularly anyways at golf. But it remains a goal, THE goal for me anyways. In the end ultimately, we are not scientists , we are artists, performers. |
Hey Patrick (he said to himself) it's not a position, it's a pressure, THE LAG....
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Thanks OB, Daryl, everyone. I have learned even more, today, about the sweet momentum, the lag, which is dormant in each club. If I may, I would liken each club to being like Sleeping Beauty, who was coaxed from sleep to passion by the gentle touch of her prince. (GET AWAY FROM THE CIALIS, DARYL!) What am I speaking about? Yoda, 1969, Two Plane Lines One Feel:"However, G.O.L.F. being the precision system that it is, Homer was then compelled to drill down a little deeper, and in 2-F he states that The Golfing Machine application for the #3 Pressure Point, the Plane Angle, and its Plane Line always refers to the Center of Gravity application (the Sweet Spot). This was his way of resolving the rather incongruous fact that there really are two different Inclined Planes of Motion (that of the Club shaft and that of the Sweet Spot) and yet they are both controlled by the #3 Pressure Point tracing only one baseline, namely that of the orbiting Sweet Spot. The club is an instrument with a soul, like a fine musical instrument. It is not activated until it is touched by a person with sensitivity to the needs and wants of the club's design. The club does not cooperate unless it is on its inclined plane. It wants structure and stability before yielding it's sweetest prize of power and flowing, smooth precision. It comes alive as a person's # 3 PP gently restrains it's upswing momentum. But it is then fully alive only with the cooperation and timing of the Pivot and the smooth thrust of # 3 PP. The reason the one #3 Pressure Point can control both Planes of Motion while Tracing only one Plane Line (that of the Sweet Spot)can be found in 5-0. The Hands executing the Third Imperative -- via the Right Forearm and #3 Pressure Point Tracing -- automatically dictate total Component compliance with the Delivery Line (Sweet Spot Plane Line) requirements.And that includes the Club shaft. This means that when the Sweet Spot Traces its Plane Line through Impact, then the Club shaft automatically will be Tracing its own Club shaft Plane Line as well. The golfer who swings feels the resting of the shaft at TOP and the hitter feels it at END. That rapturous feeling tells the golfer with skilled or educated hands that the countdown to release has begun and that only a smooth pivot and measured right forearm thrust via #3 PP will provide the hands the chance to direct the club shaft as it wishes to move through the ball down, out and forward along the inclined plane. The lag pressure never quits. The lag is the rail of light. The lag is the golf stroke. The problem is that the lag is invisible and is felt on # 3 PP most directly. But I can show it to you, or rather Moe Norman could and did: http://www.youtube.com/watch?v=WGAaO0xWd98 The Player's solution to all this "drawing board" stuff is simply to return to his original primary concern; namely, the Hands and their Club head Lag, Flat Left Wrist and Plane Line (6-G-0). Then, driving the Hands -- not the club! -- toward the Ball (Delivery Path 10-23-0), and using the #3 Lag Pressure Point Tracing to seek out the Delivery Line (per 6-C-2-A) -- not the Ball! -- will result in the joy that is hearing the crack!!of solid Impact, feeling that flush contactradiate -- as Hogan described it, "up the Shaft, through your Hands,and into your heart" -- and seeing the Ball streak forthe Flag! . When that happens, you will not be thinking about Plane Lines. " The sweet spot is real, but only in motion. You must do it to see it. The golfer takes a hold of the club as Moses took a hold of his shaft to release the snake of YHWH which would consume the smaller vipers of Pharaoh's magicians. His staff was firm and strong yet pulsating with life and power. Moses simply had to thrust his staff out,forward and down, to see the power and precision of YHWH's plan. He had to do it to see it. Faith and works, not static but dynamic. The golfer can only really monitor # 3 PP as it contacts the shaft. The golfer must balance the Pivot with RF thrust to feel the living and heavy accelerating sweet spot. The desire to drive that sweet spot determines how all zones will react. How did I get here? I have played almost daily in the last four weeks, ugh. I was thinking about Daryl's diagram of his effort in golfing vs mine and I got exhausted! After my mediocre performance, I went to the driving range. I started swinging. I looked over and over. Just a little Pivot aligned my vertically cocked left wrist. So simple and easy. So powerful! Then, remembering Yoda's vertically un-cocking left wrist and how the little flywheel of the shoulder sent the club screaming into the ground, I tilted ever so slightly. The ball lept off the clubs, with precision and some power. Not enough, though. What was missing? How could I increase the pressure on # 2 PP and # 4 PP? SLOW DOWN. FEEL THE PRESSURE BUILD. SUSTAIN THE LAG, SUSTAIN, THE LAG, SUSTAIN THE LAG!! As I felt # 4 PP load, so did # 2 and # 3. I had to move to SUSTAIN THE LAG!!!!!!! I moved slowly and then there was only one feeling. I felt the sweet spot on # 3 PP on the shaft and it trembled for me as I moved slowly. ( I could smell her perfume... sorry :laughing1 ) Still not enough power. I thought of the Swinger's rope pull. Pivot, # 4 PP and # 2, and # 3 PP was all I knew! I felt my balance moving downhill to my shorter leg, and pulling the sweet spot (# 3 PP) faster! Glancing blow of the driver! I had the sweet spot under control and I lost it! I had to maintain the lag, sustain it! A little turn back to feel the sweet spot load and a little tilt of the Pivot to activate # 3 PP and the right elbow said, HELLO, WOULD YOU LIKE SOME HELP? :hello: :D :D Back-swing, load # 2 and # 4 PP, down-swing, # 3 PP and back elbow with a gradual push, not the frantic thrusting I had played with before! My old Adams Redline driver flew the 250 yard marker on its way to the woods behind with a deafening, deep "thunk!" Again! Again! Again! Again! Again! Again! I had stopped looking at the ball and simply felt the sweet spot load on # 4, # 2, and # 3 PP and then pushed the aft part of the shaft at the speed of the Pivot. Slow, fast, faster.."THUNK!" I could do it all night. Would I be able to hit with it? Slow RFT, Pivot, hello sweet-spot lag :occasion: :sunny: Pivot as fast as I could while maintaining # 3 PP against the aft part of the shaft! a little Extensor Action helped me feel the sweet spot more clearly and "Thunk" No wonder the pros move so smoothly and with such balance! Thanks, guys! Patrick |
Very good to hear that corners can be turned so quickly. My life experience says physical actions improve more like step functions than linear equations.
Of course, as pointed out, it is not static -- it ebbs and flows, good and not so good (even within a round often times). For me, I'm very much looking forward to having a basic stroke pattern so I can play golf like I played other sports -- more in the moment, more strategy/next move thinking, focusing on scoring versus good contact/good shots. My goals are to have fun the rest of this year working on the stroke and doing work in the basement over the winter. Next season is about becoming a golfer versus just ball striking. BTW, thank you, Lynn, for this forum. It has been and continues to be an incredible benefit for me and I'm sure others like me who are looking for a simple, repeatable swing so we can become players! |
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