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Close Encounters Tape - A Lesson With Lynn

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Old 10-24-2005, 09:33 AM
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Yoda Yoda is offline
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Remember The Name...
Originally Posted by Martee
...I don't know Collin's level prior to arrival, but I can believe that Collin with this experience took his stoke to at least the next level if not higher. And I am sure I heard that he had a limited shot selection and left with alot more.

Great Stuff......
Right on all counts, Martee.

In the six months since Collin and I began our work together, I have had the privilege of taking his phone call from time to time. Sometimes we clear swing fog and other times he updates me on his increasing success.

Last week, he called with some special news. I was excited for him and asked him to put it up on the site. That post (and my response) is in the Holies and Polies Forum in the thread And On The Younger Front.

At an age and in a sport where brash and cocky 'it's all about me' attitudes abound, Collin's modesty and manner is refreshing. He is a credit to himself, his family and the game. So, I will now say what he didn't: His final round 71 -- on a very tough golf course and against a full qualifier field for the national junior college championships next May -- was the low round of the three-day tournament. He finished fourth overall, and the good news is...

He is only a freshman!
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Old 10-24-2005, 11:06 AM
frank frank is offline
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upset with questioning a lesson tape.
I am 70 yrs old and have been a low single digit player for over 50 yrs. I have played and socialized with the very best professionals and amateurs in the world. I have had instructions from U.S. open winners to teaching only pro's.

I took lessons from Luke at "the swamp". I paid for the 5 lesson plan, took 2 and have not returned in 6 months. I learned so much in those 2 lessons that one morning, plus what I learn on LynnBlakeGolf.com that I don't feel the need to go back.

Last week I viewed the "close encounters-a lesson with Lynn. It is without a doubt the finest piece of golf instruction i have ever benefited from. I have no special allegience to Lynn B. or Ted Fort, as I hardly know them. But, I feel indebted to them for what I have learned from LynnBlakeGolf.com. They could make a lot more money for themselves without out these free lessons on tape. They are a proven quality now and worth paying for!

One other point. You can learn a lot more by viewing and LISTENING to a lesson with a good player than you will ever learn by viewing a player that refuses to be taught, e.g., the guy in the Ben Doyle l hr. lesson.

Frank

" Sharper than a serpents tooth, to have an ungrateful child."
-- Wm. Shakespeare
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Old 10-22-2005, 01:34 PM
lagster lagster is offline
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Originally Posted by Mike O
Or Yoda maybe 4' 2"!

Again, another tribute to a fantastic job of putting together all the pieces that make up this website- well done Lynn! Great stuff!

Here's a perfect situation to apply golfing machine principles and take all the discussion in regards to the concepts in the book that are discussed on these forums and see it happen in action- with a good player. This is a textbook case of a good player who has pivot controlled hands- not a good thing - but a very common problem and fortunately not a death sentence but just another opportunity to get better.

In the full swing from the end of the backswing to halfway down- if you go frame by frame- you’ll see the hands come out more than down as Colin has maintained the lag in relation to the body and not the plane line (see 5-0).

Halfway down this “roundhousing” creates a situation where the hips didn’t need to slide out of the way to create the weight shift and prevent the elbow hip collision- therefore the right foot is flat and slightly less rolled-in as a result.

At halfway down (hands roughly hip /mid body height), he’s really in a tough position and his mind knows he’s in trouble, so being athletic- he works from that point in the downswing to impact to adjust the motion in order to hit the shot appropriately- usually a common way to correct from that position is to raise the shaft angle steeper than intended to “make it happen” i.e. since the hands have come to much out- the plane angle needs to be steeper from that point to impact. That raising effort shows up in his follow-through/finish. However from that point half-way down you just can’t consistently do it- that is - plane angle shifting through the release interval- so you get the slight pull shot, or the straight shot, or the slight push shot/ push fade shot- you never know for sure which one. You never get in that groove where you’re money!

It’s also a perfect example of a situation where when you have these pre-programmed issues- that although you could just think of directing the lag at the plane line, you might never really get better or accomplish it. You really need to understand the problem and de-program some of the ingrained faults while you’re trying to perform the procedure of directing the lag at the plane line.

Of course, when you make the change starting with start down waggles- the start down is a lot steeper- and a whole new set of joint sequencing and timing issues come into play that take time to work through- but it’s worth the effort.

Again, great presentation Lynn- neat to see the machine in motion!
////////////////////////////////////////////////////////////////

Not many people would see the hands coming out TOO much, and the resulting actions and compensations for that action("roundhousing" etc.)... good observations mikeo! His stroke LOOKS excellent in many ways, however, and I think you would agree.

I believe I have heard this called... "coming over the bottom."
He does an excellent job of compensating, if in fact this is the case.

It sounds like the "Downstroke Waggle" is how you would go about correcting something like this. You mentioned also "Hands Controlled Pivot" vs. "Pivot Controlled Hands".

Maybe a picture sequence can be posted(I don't have the ability to do so) that shows the hands coming down in relation to the Plane Line, as you describe, and the resulting Hip Action, weight shift ,and Foot Action that occurs from this change.

Last edited by lagster : 10-22-2005 at 05:19 PM.
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Old 10-22-2005, 08:35 PM
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rchang72 rchang72 is offline
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Basic motion
Just curious. In the basic motion, what distinguishes the swinger from the hitter? It looked like he was starting from impact fix and then picking the right forearm up and bringing it back down.
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Old 10-23-2005, 11:25 PM
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Mike O Mike O is offline
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basic motion
Originally Posted by rchang72
Just curious. In the basic motion, what distinguishes the swinger from the hitter? It looked like he was starting from impact fix and then picking the right forearm up and bringing it back down.
In the basic motion (12-5-1) or in any motion- the acceleration method is what differentiates the swinger from the hitter- that's it. A close 2nd would be the hinge action/rhythm- as that's normally a result of the acceleration method- but the hinge action does not differentiate hitting from swinging. Otherwise, the basic motion for both is identical.
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Old 10-24-2005, 02:01 AM
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Mike O Mike O is offline
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Originally Posted by lagster
////////////////////////////////////////////////////////////////

Not many people would see the hands coming out TOO much, and the resulting actions and compensations for that action("roundhousing" etc.)... good observations mikeo! His stroke LOOKS excellent in many ways, however, and I think you would agree.

I believe I have heard this called... "coming over the bottom."
He does an excellent job of compensating, if in fact this is the case.

It sounds like the "Downstroke Waggle" is how you would go about correcting something like this. You mentioned also "Hands Controlled Pivot" vs. "Pivot Controlled Hands".

Maybe a picture sequence can be posted(I don't have the ability to do so) that shows the hands coming down in relation to the Plane Line, as you describe, and the resulting Hip Action, weight shift ,and Foot Action that occurs from this change.
Lagster,
Not sure how I can help further. However, absolutely looks like Collin can really play! As far as sequences, I would just say go frame by frame in the first swing of Chapter 10 for Collin and then go frame by frame with Els or Hogan in the Gallery. One of the points I was making in my post was that the body shows through amplification- what the hands and club have done- therefore it's part of the information that you use to determine what the clubshaft, face and head have done throughout the movement- that detective work combined with TGM knowledge can help you figure out what's going on with the club and hands and therefore what the club and hands need to do differently and likewise what the body needs to do differently to support that movement.
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  #7  
Old 10-24-2005, 09:28 AM
lagster lagster is offline
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Originally Posted by Mike O
Lagster,
Not sure how I can help further. However, absolutely looks like Collin can really play! As far as sequences, I would just say go frame by frame in the first swing of Chapter 10 for Collin and then go frame by frame with Els or Hogan in the Gallery. One of the points I was making in my post was that the body shows through amplification- what the hands and club have done- therefore it's part of the information that you use to determine what the clubshaft, face and head have done throughout the movement- that detective work combined with TGM knowledge can help you figure out what's going on with the club and hands and therefore what the club and hands need to do differently and likewise what the body needs to do differently to support that movement.
////////////////////////////////////////////////////////////////

Thanks MikeO!

The student obviously has talent. The information presentet in the videos is an excellent opportunity for people to learn. The old "picture is worth a thousand words" is evident here.

I just think that even with a stroke of this quality, one can learn. That is why I was(AM) curious about the obsverations you(MikeO) made.

Tiger Woods, for example, has a great technique, but is constantly IMPROVING it. He could have very easily assumed that he must have nearly perfect technique... since he is the best player, at least for now. But he does not do that. He and his teachers are looking for subtle little things... to make his stroke even better.

Thanks to Yoda and his crew for the video!
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Old 10-25-2005, 07:45 PM
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BerntR BerntR is offline
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Thank you Yoda & Co for a great video
Seeing and hearing you applying the TGM stuff in context vas very valuable.

It's one of the best golf instruction video I've ever seen. For me personally it may even be the most valuable one.

I think this video series could serve as a good program for trimming the stroke before next season - for swingers. Watching chapter 1, take it to the range, rewatch ch 1, evaluate, watch ch 2, do second range session with ch1 repetition and then ch2 main part. Etc. 3-4 times a week in 3-4 weeks, and the swing should be back in great shape - and executed by an uncluttered mind.

Thanks to all on the LBG team for bringing this out to us.
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Bernt
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Old 10-26-2005, 06:18 AM
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metallion metallion is offline
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Thanks for putting up another great video. I have watched them a few times. I've watched #1 more times and the guy listening intensely in the background caught my eye. I have no idea what he is thinking - might this be it?

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Old 10-26-2005, 06:36 AM
phillygolf phillygolf is offline
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Ummm....

Can someone help me out?!!?!? How do I see the vid?

Thanks!
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