Feel does not monitor mechanics. Feel only represents a mechanical movement. Mastering a mechanical movement into feel requires that you monitor the mechanical-feel translation (during practice). Without revisiting the translation, the crisp mechanically correct movement that the feel had once represented becomes vague. Ballet dancers practice mechanics endlessly under a critical and watchful eye to only perform for a few hours using feel alone.
Something about golf unlike other arts is that a few components done very well can compensate for a component done not very well. That go-to swing is a matter of emphasizing those few found components which can be reproduced very well while de-emphasizing those which are not. Educated hands can sometimes make up for a bad pivot. For example, that sculled shot may not have reached the green, but it still remained straight and the ball is within up-and-down range.
I once had a round of golf in which my feel was so good that I was able to focus on the game itself and not at all on mechanics. I thought to myself “what an enjoyable round of golf”.
I highly recommend the extensor action drill that Tomasello demonstrates in his Australia video chapter series...do, 5 swings with the extensor action drill then put a club in your hands, do five regular swings...then repeat the process. It's definitely a great mechanics to feel type of drill.
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