Why are Hips ever mentioned in a golfswing analysis ? I don't see the relevance at all since they are 2 joints that do nothing unless moved by something else.
BTW Hula Hula is done by using your feet
The hips get mentioned because their moving forward is a big part of creating axis tilt which allows the hands stay IN rather than being drug OUT off the plane as a result of the shoulders spinning early.
Hula Hula is simply the hips moving INDEPENDENT of the shoulders . . . some to do with feet but more to do with the spine and moving the center of the hip turn toward the target while keeping the head fixed . . .
Per Homer . . .
7-14 HIP TURN The Hip Turn as a Stroke Component is strictly the product of the Knee Bend and the Waist Bend. Not otherwise could the weight be shifted and the Shoulder Turn Axis be tilted without moving the Head. A Hula Hula flexibility allows the Hips and Shoulders to be independent but coordinate and so avoid Right Elbow – and – Hip interference and its “Roundhousing” Throwaway (4-D-0) during the Start Down – the Delivery Line ROLL PREPARATION (12-3-22).
Except for its being, in itself, the Weight Shift, the Hip Turn is a motion permitting – rather than causing – the other effects, actions and motions of the Pivot. Weight Shift is strictly a HIP MOTION. Substituting a Head Motion and/or Knee Motion will make Swaying inevitable.
The Hip Turn can be used to control or modify Hip Action Variations and prevent Zone #1 (9-1) exaggerations. See 2-N and 7-16.
7-15 HIP ACTION The Hip Action Category is included to separate the “motion” of the Hips form any work they may accomplish.
The work the Hip Action does, is to lead and pull the Shoulder back and down in varying combinations. This has very valuable applications. Forgetting to shift the weight to clear the Right Hip is difficult if the Hips are initiating the Shoulder Turn – in either direction. Study 2-N and 7-3. With Swingers using the Arc of Approach (2-J-3), this actuation may be executed as a “throwing” of the Right Shoulder by the Hips as in 10-19-C.
Hip Action must not be haphazard. It is a Pivot Component that must be carefully timed and sequenced to sustain the continuity and spacing of the Pivot Train (of Components). Omitting the Hip Action unintentionally will disrupt the Feel as well as the continuity of the entire Pivot. See 6-B-3-O regarding Pivot Rhythm.
The hips get mentioned because their moving forward is a big part of creating axis tilt which allows the hands stay IN rather than being drug OUT off the plane as a result of the shoulders spinning early.
Hula Hula is simply the hips moving INDEPENDENT of the shoulders . . . some to do with feet but more to do with the spine and moving the center of the hip turn toward the target while keeping the head fixed . . .
Per Homer . . .
7-14 HIP TURN The Hip Turn as a Stroke Component is strictly the product of the Knee Bend and the Waist Bend. Not otherwise could the weight be shifted and the Shoulder Turn Axis be tilted without moving the Head. A Hula Hula flexibility allows the Hips and Shoulders to be independent but coordinate and so avoid Right Elbow – and – Hip interference and its “Roundhousing” Throwaway (4-D-0) during the Start Down – the Delivery Line ROLL PREPARATION (12-3-22).
Except for its being, in itself, the Weight Shift, the Hip Turn is a motion permitting – rather than causing – the other effects, actions and motions of the Pivot. Weight Shift is strictly a HIP MOTION. Substituting a Head Motion and/or Knee Motion will make Swaying inevitable.
The Hip Turn can be used to control or modify Hip Action Variations and prevent Zone #1 (9-1) exaggerations. See 2-N and 7-16.
7-15 HIP ACTION The Hip Action Category is included to separate the “motion” of the Hips form any work they may accomplish.
The work the Hip Action does, is to lead and pull the Shoulder back and down in varying combinations. This has very valuable applications. Forgetting to shift the weight to clear the Right Hip is difficult if the Hips are initiating the Shoulder Turn – in either direction. Study 2-N and 7-3. With Swingers using the Arc of Approach (2-J-3), this actuation may be executed as a “throwing” of the Right Shoulder by the Hips as in 10-19-C.
Hip Action must not be haphazard. It is a Pivot Component that must be carefully timed and sequenced to sustain the continuity and spacing of the Pivot Train (of Components). Omitting the Hip Action unintentionally will disrupt the Feel as well as the continuity of the entire Pivot. See 6-B-3-O regarding Pivot Rhythm.
Hula Hula dancers use their feet to move their hips
What moves the hips forward to create the axis tilt etc etc etc Oh right the hip joints my mistake
Hybrid Mode
