Daryl - you wrote-: "#3 starts after #2 release begins but it is also spent before #2 is spent. #2 release starts after #4 release but it gets spent before #4 gets spent."
Why do you believe that #3 is spent (completely released) before #2 is spent. What is your definition of a spent #3 and a spent #2?
You also state that #2 gets spent before #4 is spent. I thought that #4 is spent at low point.
Jeff.
#3 strives to be MAINTAINED thru impact.
#2 is zeroed out when the wrist has been FULLY UNCOCKED.
#3 angle is arrived at when the wrist is in it's LEVEL condition and that angle is strived to be rolled through impact to avoid a plane shift.
#4 is fully released when the angle between the left arm and left shoulder is 90 degrees.
That's Picasso's girlfriend. It's a portrait of her in 1941 when the Germans invaded France. Notice the claws on her. Almost a Hundred Million bucks for that painting.
I cannot locate 10-3-O #25. I note that 12-3-O #25 simply states "extensor action - rhythm".
The 6-B-4-O photo looks like the club is at low point, or just beyond low point.
I am very familiar with the Hogan video.
Jeff.
No sir that is when the angle between the left arm and shoulder is at 90 degrees and thus fully released. Generally at both arms straight "follow through."
No sir that is when the angle between the left arm and shoulder is at 90 degrees and thus fully released. Generally at both arms straight "follow through."
Thank you for confiming that the #4 is fully Released when it becomes 90 degrees to the shoulder line. Jeff M. didn't believe it.
Thank you for confiming that the #4 is fully Released when it becomes 90 degrees to the shoulder line. Jeff M. didn't believe it.
If one has a theory about something happening other than what Mr. Kelley said about the left arm so be it. But his view and definition of the #4 accumulator and angle are explicit in the book. The language and pictures are clear in this section . . . others can be a bit confusing to say the least but this one is pretty crystal.
If one has a theory about something happening other than what Mr. Kelley said about the left arm so be it. But his view and definition of the #4 accumulator and angle are explicit in the book. The language and pictures are clear in this section . . . others can be a bit confusing to say the least but this one is pretty crystal.
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