Originally Posted by O.B.Left
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The reigning champion! That must be very gratifying!
Lynn for those flop shots Brian is playing there, would I be right in assuming the clubface is still pointed at the target? So Open, Open 10-5-D? The photographer is standing on the Plane Line but the Target Line and Clubface pointing out to the right.............way right with the blade laid on its back.
Does he use a 10-3-J Pause Minor Basic Stroke but with Vertical Hinging (as opposed to the accompanying photo which seems to show Horizontal)? So similar to the 2-C-3 #2 Lob shot diagram, no compression? Does he make any attempt to cover the plane line , intentional steering as the diagram would suggest or does he just let er go as per usual? Does he shallow out his Angle of Attack by employing a flatter plane angle?
Sorry for all the questions. I guess I could have just asked "What's Brian's flop shot method, using TGM speak. "
Go team.
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So much of this
Cut Lob shot is established at Address. Duplicate Brian's
Open Plane Line -
Open Stance Line and wide-
open Clubface. Also, his well-forward ball position (ahead of the middle of his stance but back of his left shoulder low point). Note also his Centered Head. This is a huge key: You get "behind the ball" -- when you want to -- by moving the
ball forward, not by moving the
head back.
Then, in a full Acquired Motion Stroke (belt high-to-belt high with Wristcock)
trace the
Open Plane Line --
not the Target Line! -- with your Right Forearm and #3 Pressure Point, and see what you get. I think you'll like it!
I'll be writing more about this technique soon in my instruction segment (under Brian's byline) on
http://www.thumbzine.com/swing.html. In fact, that's why I took these photos!
