But what is going on with these other hold off shotmaking artists? They must have good reason.
Lee Trevino is simply executing a Cut Shot using Aquired Motion.
A Cut Shot -- by definition -- is any shot utilizing Vertical Hinge Action through Impact (2-C-3; 2-G and 10-10-E). This means a 'No Roll' of the Clubface (Square / Layback Only) and a 'Reverse Roll' Feel in the Hands. Lee Turns his Left Hand to Plane in the Grip, a procedure "very compatible with Cut Shots" (10-2-D), and this makes it easy to stay 'Left Palm down to the ground' in the Follow-Through (Both Arms Straight Position / 8-11).
In the posted photo, Lee's Thrust has been Downplane to the end of the Follow-Through and only Momentum carries him to his subconsciously pre-determined Acquired Motion Finish (Right Forearm level to the ground / 12-5-2).
Hogan and Woods are doing essentially the same thing, but with different Grips and a more full Finish. Note the Clubface Layback in both photos.
Lee Trevino is simply executing a Cut Shot using Aquired Motion.
A Cut Shot -- by definition -- is any shot utilizing Vertical Hinge Action through Impact (2-C-3; 2-G and 10-10-E). This means a 'No Roll' of the Clubface (Square / Layback Only) and a 'Reverse Roll' Feel in the Hands. Lee Turns his Left Hand to Plane in the Grip, a procedure "very compatible with Cut Shots" (10-2-D), and this makes it easy to stay 'Left Palm down to the ground' in the Follow-Through (Both Arms Straight Position / 8-11).
In the posted photo, Lee's Thrust has been Downplane to the end of the Follow-Through and only Momentum carries him to his pre-determined Acquired Motion Finish (Right Forearm level to the ground / 12-5-2).
Hogan and Woods are doing essentially the same thing, but with different Grips and a more full Finish. Note the Clubface Layback in both photos.
Lee Trevino is simply executing a Cut Shot using Aquired Motion.
A Cut Shot -- by definition -- is any shot utilizing Vertical Hinge Action through Impact (2-C-3; 2-G and 10-10-E). This means a 'No Roll' of the Clubface (Square / Layback Only) and a 'Reverse Roll' Feel in the Hands. Lee Turns his Left Hand to Plane in the Grip, a procedure "very compatible with Cut Shots" (10-2-D), and this makes it easy to stay 'Left Palm down to the ground' in the Follow-Through (Both Arms Straight Position / 8-11).
In the posted photo, Lee's Thrust has been Downplane to the end of the Follow-Through and only Momentum carries him to his subconsciously pre-determined Acquired Motion Finish (Right Forearm level to the ground / 12-5-2).
Hogan and Woods are doing essentially the same thing, but with different Grips and a more full Finish. Note the Clubface Layback in both photos.
Hybrid Mode
