If you draw a line from his #3 pp at Top or End down to where they are in that second photo......it'd be nearly vertical line. This is "Vertical Drop". Plane Shift from a higher to a lower Plane Angle. Something he has to do given where his hands are at Top. If he left them way up there and Turned his Right Shoulder down towards the ball, his Hands would go immediately OUT over top of the Plane. Hes dropping those things and fast so that doenst happen. Trying to get back to place from where he can attack the ball from the inside. Inside Out Impact, the inside to out Delivery Line of the clubhead associated with an on plane , Straight Line Base Line (as opposed to the true Inside Outside Stroke , with its Closed Plane Line).
The more bent the Right Arm is at Impact the stronger the shot, treat the feel of after Impact as though it was Impact, even though the ball is gone. The "normal" position of the Arms (6-A-4)-that until after the Follow-Through, the Left Arm is never bent, the Right Arm is never straight. Does Fowler follow any of these concepts?
The more bent the Right Arm is at Impact the stronger the shot, treat the feel of after Impact as though it was Impact, even though the ball is gone. The "normal" position of the Arms (6-A-4)-that until after the Follow-Through, the Left Arm is never bent, the Right Arm is never straight. Does Fowler follow any of these concepts?
And how does one move his fully bent right Elbow down close to the ball if not via the turning of the Pivot the Right Shoulder specifically? The answer .....there is no other way.
Once the Arms separate from the Shoulders ......the Right Arm is Straightening and you're into Release. To Delay Release you must transport you fully bent Right Arm down to a later Release Point.
The Right Shoulder is so, so important. In fact Homer said we'd all come to feel like we were hitting the ball with our right shoulder.
Hybrid Mode
