The Left Wrist Uncocks only to the Level position (where you still have #3 Accumulator) during Release. If you reach fully Uncocked before Impact, watch out for that Horizontal Left Wrist Bend, because that is what is going to happen at Impact. I see it over and over again; Over-Loading, Over Accelerating, Steering .
Differentiating between Uncock and Roll (study 2-P, 4-D-O, re-read them now) goes back to Educating the Hands thru the Pressure Points and practicing the Drill Mr. Kelley put at the end of 4-D-0; both done on the same Delivery Line, driving the ball into the ground, not toward the green. Do it first without a club, then with dowels, then with a club, with eyes open (look, look, look,) then with eyes shut. Over, and Over, and Over; Alignments, Pressure Points, Rhythm, Pace, Acceleration. Let the Mechanics produce the action, the Feel reproduce.
BTW, the Right Wrist is never Cocked and never Thrown.
The Left Wrist Uncocks only to the Level position (where you still have #3 Accumulator) during Release. If you reach fully Uncocked before Impact, watch out for that Horizontal Left Wrist Bend, because that is what is going to happen at Impact. I see it over and over again; Over-Loading, Over Accelerating, Steering .
Differentiating between Uncock and Roll (study 2-P, 4-D-O, re-read them now) goes back to Educating the Hands thru the Pressure Points and practicing the Drill Mr. Kelley put at the end of 4-D-0; both done on the same Delivery Line, driving the ball into the ground, not toward the green. Do it first without a club, then with dowels, then with a club, with eyes open (look, look, look,) then with eyes shut. Over, and Over, and Over; Alignments, Pressure Points, Rhythm, Pace, Acceleration. Let the Mechanics produce the action, the Feel reproduce.
BTW, the Right Wrist is never Cocked and never Thrown.
The Left Wrist Uncocks only to the Level position (where you still have #3 Accumulator) during Release. If you reach fully Uncocked before Impact, watch out for that Horizontal Left Wrist Bend, because that is what is going to happen at Impact. I see it over and over again; Over-Loading, Over Accelerating, Steering .
Differentiating between Uncock and Roll (study 2-P, 4-D-O, re-read them now) goes back to Educating the Hands thru the Pressure Points and practicing the Drill Mr. Kelley put at the end of 4-D-0; both done on the same Delivery Line, driving the ball into the ground, not toward the green. Do it first without a club, then with dowels, then with a club, with eyes open (look, look, look,) then with eyes shut. Over, and Over, and Over; Alignments, Pressure Points, Rhythm, Pace, Acceleration. Let the Mechanics produce the action, the Feel reproduce.
BTW, the Right Wrist is never Cocked and never Thrown.
hall of fame post!
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"In my experience, if you stay with the essentials you WILL build a repeatable swing undoubtedly. If you can master the Imperatives you have a champion" (Vikram).
The reason you can't sustain the lag is because you are so eager to make the club move fast (a reaction to the intent of "hitting it far"). So on a full shot you throw it away too early, which doesn't happen for your short chip. (bts)
The Left Wrist Uncocks only to the Level position (where you still have #3 Accumulator) during Release. If you reach fully Uncocked before Impact, watch out for that Horizontal Left Wrist Bend, because that is what is going to happen at Impact. I see it over and over again; Over-Loading, Over Accelerating, Steering .
Differentiating between Uncock and Roll (study 2-P, 4-D-O, re-read them now) goes back to Educating the Hands thru the Pressure Points and practicing the Drill Mr. Kelley put at the end of 4-D-0; both done on the same Delivery Line, driving the ball into the ground, not toward the green. Do it first without a club, then with dowels, then with a club, with eyes open (look, look, look,) then with eyes shut. Over, and Over, and Over; Alignments, Pressure Points, Rhythm, Pace, Acceleration. Let the Mechanics produce the action, the Feel reproduce.
BTW, the Right Wrist is never Cocked and never Thrown.
Great post!
So, what is in your opinion the cause for overacceleration?
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God :God is love.
Latest incubator: Finally appreciate why Hogan wrote 19 pages on GRIP. I bet he could write another 40 pages.
You just wait for what old Norrin Rad Silver Surfer comes up with on this one . . .
Drew Chapman speaks PAY ATTENTION . . . one of the best Machinists to crack a Yellow Book is never to be taken lightly.
Not drewitgolf . . . but I'll take a stab.
1. Misunderstanding of the amount of Loading required to generate a sustainable amount of Lag Pressure.
2. Steering
3. No patience at Top
4. Downstroke Blackout
5. Mind on clubhead not on Hands
6. Attempt to add acceleration rather than allowing CF to travel at the speed it demands
Yes my bucket full of chicken ... all good points.. but how bout for good players or maybe what do good players do to avoid over acceleration? like they will let certain things happen etc.
__________________
God :God is love.
Latest incubator: Finally appreciate why Hogan wrote 19 pages on GRIP. I bet he could write another 40 pages.
Yes my bucket full of chicken ... all good points.. but how bout for good players or maybe what do good players do to avoid over acceleration? like they will let certain things happen etc.
Experiment with the amount of loading you place on your pressure points. Load max then back off and see what amount you can sustain . . . It surprised me anyway what amount of loading produced the most CONSISTENT results with regards to compression and direction.
Monkey with it . . . I found less was more . . . but may not be that way for you.
Look closely at this pocket watch as it swing back and forth
Originally Posted by nuke99
Great post!
So, what is in your opinion the cause for overacceleration?
Essentially it starts with the hypnotic affects of the golf ball that baits you into making the shot, rather than making the motion. It should be the other way arround. Let the Motion make the Shot.
I'll add more later, but Mr. Bucket has hit the nail on the head relating to the effects of that little, white, motionless sphere.